How would he make it? This use of interpolation may be divided into four primary categories: a the visual articulation of spoken dialogical imagery; b extra textual invention; c alterations dependent on the reconceived modern setting; and, d most importantly, flashfowards. This visualization may take whatever form the director may choose, reaffirming the postmodernist slant towards auteur theory, however, in order to be successful, this approach much, in no way, threaten the integrity of the source material. Stage and screen, while similar in their existence as physical performance arts, are not to be approached correspondingly—even less so when the source text of the stage is that of poetry. In his Republic , Plato examined the very nature of poetry, art, and drama, dividing it out into two primary aspects: diegesis narration and mimesis imitation : diegesis is what storytellers and poets express: they tell stories aloud to their audience; mimesis , by nature, is therefore considered a branch of diegesis. Firstly, to properly adapt Shakespeare—taking his intent and molding it into cinematic language—and, secondly, to remain true to the core of the play: art, oftentimes poetry, and, by extension, artifice.
Hal foster the anti-aesthetic essays on postmodern culture
INFILTEC: HUMOR:How to Speak and Write Postmodern
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How to Speak and Write Postmodern
Linda Hutcheon. The Politics of PostModernism. London and New York: Routledge: . Postmodernism is a phenomenon whose mode is resolutely contradictory as well as unavoidably political. Postmodernism manifests itself in many fields of cultural endeavor — architecture, literature, photography, film, painting, video, dance, music, and elsewhere.
Postmodernism is a broad movement that developed in the mid- to late 20th century across philosophy , the arts , architecture , and criticism , marking a departure from modernism. The term has been more generally applied to describe a historical era said to follow after modernity and the tendencies of this era. Postmodernism is generally defined by an attitude of skepticism , irony , or rejection toward what it describes as the grand narratives and ideologies associated with modernism, often criticizing Enlightenment rationality and focusing on the role of ideology in maintaining political or economic power. Postmodern thinkers frequently describe knowledge claims and value systems as contingent or socially-conditioned , framing them as products of political, historical, or cultural discourses and hierarchies.