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Olafur Eliasson's Beauty And Your Sun Machine

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Olafur Eliasson's Beauty And Your Sun Machine - Words | Cram

About the book. Experience spans Eliasson's career to date via images of his installations, sculptures, paintings, photographs, films, architectural projects, and interventions in public space - each with an extended caption to guide readers through the work. Conceived in close collaboration with the artist, this survey tracks almost three decades of Eliasson's artistic practice - including works completed in Hundreds of illustrations are introduced by a perceptive essay by art historian Michelle Kuo and an interview with Eliasson. The book provides an unparalleled overview of his creative output, which speaks to an astonishingly varied audience, from large-scale installations such as The weather project , which drew over two million visitors to London's Tate Modern in , to smaller, more delicate works, such as watercolours, compasses, and glass works. Views of his dynamic studio in Berlin round out the picture. An inspiring guide to the work of one of today's most multi-faceted and influential artists, Experience includes such pivotal artworks as Green river , Ice Watch , and Waterfall at the Palace of Versailles in Paris , and gives an invaluable glimpse into many of his lesser-known works.
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Fivefold Colourwheel

In the first photograph of his new book Open House , Danish-Icelandic artist Olafur Eliasson leads a flock of his employees through a cloud of mist — part of his own artwork — like a transcendental shepherd. Olafur and the team testing a light and shadow installation. Having already collaborated with BMW, released a cookbook, and designed a solar powered lamp intended to serve third world countries, Eliasson here discloses designs to enter the broadcast industry. It has long been common for economically disadvantaged artists — struggling to exert their own creativity — to take jobs working creatively for art stars.
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Intertwined amorphous shapes, apparently composed of supernatural light, move slowly around the room. This 'vision' is not a parapsychological phenomenon, nor is it conceived in a digital visual space - and it can't be attributed to the influence of drugs The Cologne-based Icelandic artist Olafur Eliasson lays bare the production process of this 'mystic' revelation, the constant humming of a watt floodlight dispersing any transcendental speculations. The energy comes, unconcealed, from the wall-socket. The rays of light emitted from the floodlight are beamed into a concave glass plate leaning in the opposite corner, and from there diverted onto a revolving, slightly dented, round mirror, which, driven by a home-made electric motor, rotates on an ordinary tripod.
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