Comic book realism: sincerity, ethics, and the superhero in contemporary American literature. Comic Book Realism: Sincerity, Ethics, and the Superhero in Contemporary American Literature reads a trio of recent American novels in the context of superhero comics, the influence of which looms large over these texts but has for one reason or another been largely neglected by critics. I argue that these texts should be studied because of, and not despite, their affiliation with superhero comics, against what seems to be a latent critical bias which has led many to overlook or disregard the superheroic elements of these texts. I then turn to Levinasian ethics in order to address the charge that superhero comics are solely escapist; instead, I argue that escapism in these novels necessitates an act of memory, an ethical awareness of the absence from which these characters are attempting to escape.
Comic Books - Mémoires Gratuits - justinelou0
A Showcase of scholarship, research, and creativity at the university of southern mississippi. Does race exist in comics? And if so, what do those characters tell us about how one of the largest fiction producing industries in the country has explained minority relationships to its millions of readers? This study took a close look at three of the most successful comic book characters of all time Batman, Superman, and The Black Panther and examines how each exemplifies a position that the comic book industry has taken on race over the years. The study took the provocative position that race is discussed in the most vivid and worthwhile terms by characters that are not openly ethnic. The dissertation provides three models of racialized behavior employed by comic book publishers to introduce race and ethnicity into their storylines.
A Ph.D. Student Wrote His Thesis As A Comic Book
Include Synonyms Include Dead terms. Direct link. Dissertation, Indiana University of Pennsylvania.
Bradford Walker Wright , Purdue University. This is a cultural history of American comic books. It explores how political, international, economic, social, and ideological changes have shaped the products of the comic-book industry from the s to the s. With their consistent presence on the fringes of the American entertainment industry, comic books have historically been a filter and repository for values from below.